songs of innocence and experience analysis pdf

Songs of innocence and experience analysis pdf

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Commentary on Songs of Innocence and Songs of Experience

Songs of Innocence and of Experience Summary

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Songs of Innocence and of Experience , masterpieces of English lyric poetry, written and illustrated by William Blake. The rhythmic subtlety and delicate beauty of both his lyrics and his designs created rare harmony on his pages. It contained a slightly rearranged version of Songs of Innocence with the addition of Songs of Experience.

Commentary on Songs of Innocence and Songs of Experience

William Blake was an artist, poet, mystic, visionary and radical thinker. Working at a time of great social and political change, his work explores the tensions between the human passions and the repressive nature of social and political conventions. In Songs of Innocence and of Experience , perhaps his most famous collection of poems, he investigates, as he put it in the subtitle, 'the two contrary states of the human soul'. Songs of Innocence and of Experience is regarded as both a visual and literary work of art. Blake invented a new way of printing, designing the work in reverse with varnish on metal plates, which were then etched with acid to produce relief printing surfaces; these were printed in brown ink, and the prints were coloured by hand. Only a small number of copies were made, and sold privately to friends and collectors. Though Blake stated that children could understand his work as well as, or better than, adults, this is rather a comment on how children understand things directly and without the clouded perceptions that derive from the compromises required by adult life.

Throughout both Songs of Innocence and Songs of Experience , Blake repeatedly addresses the destruction of childlike innocence, and in many cases of children's lives, by a society designed to use people for its own selfish ends. Blake romanticizes the children of his poems, only to place them in situations common to his day, in which they find their simple faith in parents or God challenged by harsh conditions. Songs of Experience is an attempt to denounce the cruel society that harms the human soul in such terrible ways, but it also calls the reader back to innocence, through Imagination, in an effort to redeem a fallen world. Throughout his works, Blake frequently refers to the redemptive work of Jesus Christ. While he alludes to the atoning act of Christ Crucified, more often Blake focuses on the Incarnation, the taking on of human form by the divine Creator, as the source of redemption for both human beings and nature. He emphasizes that Christ "became a little child" just as men and women need to return to a state of childlike grace in order to restore the innocence lost to the social machinery of a cruel world. In such poems as "Holy Thursday" and "The Little Vagabond," Blake critiques the religious leaders of his day for their abuse of spiritual authority.

The poems present in this collection expresses a naive, childlike view of salvation, as most of the poems are addressed to children. In his simple perspective of life, the world is beautiful and Jesus died for our sins. The poet is projected as a visionary who is divinely inspired through angels. It defines the composition of poetry as a process of making what was formless to artistic creation. In this poem, the narrator is described as a piper. He is happily piping when he sees a child on a cloud.

Songs of Innocence and of Experience Summary

Thus the collection as a whole explores the value and limitations of two different perspectives on the world. Many of the poems fall into pairs, so that the same situation or problem is seen through the lens of innocence first and then experience. Blake does not identify himself wholly with either view; most of the poems are dramatic—that is, in the voice of a speaker other than the poet himself. Blake stands outside innocence and experience, in a distanced position from which he hopes to be able to recognize and correct the fallacies of both. In particular, he pits himself against despotic authority, restrictive morality, sexual repression, and institutionalized religion; his great insight is into the way these separate modes of control work together to squelch what is most holy in human beings.

The narrator is a piper who is happily piping when he sees a child on a cloud. The child tells him to pipe a song about a lamb. He does so and the child weeps on hearing it. He then asks the piper to sing. He sings the same song and the child cries with joy when he hears it. The child then tells the narrator to write a book and disappears. The piper takes a reed to make a pen.

Songs of Innocence and of Experience [1] is a collection of illustrated poems by William Blake. It appeared in two phases: a few first copies were printed and illuminated by Blake himself in ; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. Blake was also a painter before the creation of Songs of Innocence and Experience and had painted such subjects as Oberon , Titania , and Puck dancing with fairies. Often, interpretations of this collection centre around a mythical dualism, where "Innocence" represents the "unfallen world" and "Experience" represents the "fallen world". This world sometimes impinges on childhood itself, and in any event becomes known through "experience", a state of being marked by the loss of childhood vitality, by fear and inhibition, by social and political corruption and by the manifold oppression of Church, State and the ruling classes. The stark simplicity of poems such as The Chimney Sweeper and The Little Black Boy display Blake's acute sensibility to the realities of poverty and exploitation that accompanied the " Dark Satanic Mills " of the Industrial Revolution. Songs of Innocence was originally a complete work first printed in


from our analysis of rhyme and metre; but we have begun to appre- ciate what a consummate and subtly-crafted poem this is. With regard to diction, we have noted.


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Look Closer. Take a closer look at several of Blake's Songs of Innocence and Experience in their original illustrated form. The Songs of Innocence were published by Blake in , and he produced a combined version of Songs of Innocence and of Experience in

William Blake published his second collection of poetry, Songs of Innocence , in He published it with the accompanying illustrative plates, a feat accomplished through an engraving and illustrating process of his own design. Blake always intended the poems of Songs of Innocence to be accompanied by their respective illustrations, making analysis of the texts alone problematic at times. While ostensibly about the naivety and simplicity of innocent youth, Songs of Innocence is not merely a collection of verses for children.

Стратмор даже не повернулся. Он по-прежнему смотрел вниз, словно впав в транс и не отдавая себе отчета в происходящем. Сьюзан проследила за его взглядом, прижавшись к поручню.

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